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I'm not much for award shows. I get a little tired of Hollywood patting themselves on the back.
However, I love Tina Fey and Amy Poehler. A pair of funnier ladies is hard to find. Given that, I did watch a little bit of the 70th Annual Golden Globes last night, mainly while The Good Wife was on commercial breaks (my wife loves that show). From what I saw I came away with three thoughts.
First, Brave shouldn't have won for Animated Feature Film. I love animated movies and I love Pixar but Brave didn't live up to their extremely high standard. It was a good but a little boring and predictable. My vote would have been for ParaNorman.
Second, holy plastic surgery batman! There were a few actresses I didn't even recognize they've had so much work done. Kate Hudson is starting to look an awful lot like Lindsay Lohan (which isn't a good thing) and one gall (who's name is now escaping me, which I realize doesn't help this post) doesn't even look like anyone anymore!
Finally, the last thing that stuck with me and the reason for this post was Quentin Tarantino's acceptance speech for Best Screenplay for his movie Django Unchained. If you haven't seen this movie, it's very good. Don't go see it unless you're prepared for some serious violence and profanity but do go see it. It's funny and sad and action packed and wonderful. The amazing thing about Mr. Tarantino's acceptance speech was the small glimpse he gives into his creative process. Take a look (hint: his speech starts at about 1:12):
He thanks his actors (which is good) and then he goes on to thank a group of friends that he reads scenes to as he writes. Apparently, when he's gone through a scene as many times as he can stand, he then reads the scene to a friend or two. Instead of feedback he simply asks for these people to listen. They are sounding boards. Mr. Tarantino explains that when he reads a scene to a friend he hears it through their ears. For him to take the time to thank this group in front of a live national audience lends weight to how important this step is for him in his creative process.
So here's my question: do you do anything like this?
I've done something similar with my non-fiction. When writing journal articles to be submitted to peer reviewed publications I will sometimes read particularly tricky sections to a colleague in order to see how it flows and to gauge their reaction and level of understanding to the material. But I've never done it for one of my fiction stories. Perhaps I should.
What about you?
24 Şubat 2013 Pazar
Lollipop and Grandpa's Back Garden Safari - Penelope Harper and illustrated by Cate James
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Summary:
Back gardens have never been this exciting! Lollipop and Grandpa are intrepid explorers, always on the lookout for the next adventure! It’s often just the two of them against the world in their expeditions, armed only with ham sandwiches and imagination. In this book they set out on an exciting expedition in the back garden where they encounter Chimpan-trees, a Hippo-potta-compost and even a Croco-logus. They’re prepared for action, but will Lollipop and Grandpa make it back home safely?~~~
I was given this book a little while ago and I completely fell in love with it. The story is charming, imaginative and heart-warming. It's great for kids who want to have some adventures in their garden or in the park - instead of a boring patch of grass, they can discover a world full of danger and scary creatures like the Chimpan-trees or the Croco-logus. Any corner of the garden can transform into a scary creature and there really isn't a peaceful place to eat ham sandwiches!
The illustrations by Edinburgh-based illustrator Cate James are simply fantastic. They're very stylish and evocative and play on textures as well as colour. The font is really easy to read and Penelope Harper's story is well-paced, funny and an amazing springboard for children's imagination.
This is an adorable book for grandparents to read to their own little explorers and this is the start of an amazing picture book series about Lollipop's adventures with her Grandpa. Thumbs up from me!
Lollipop and Grandpa's Back Garden Safari, by Penelope Harper and illustrated by Cate James | 2012 | Phoenix Books | Age 3 to 5 | Gift
Summary:
Back gardens have never been this exciting! Lollipop and Grandpa are intrepid explorers, always on the lookout for the next adventure! It’s often just the two of them against the world in their expeditions, armed only with ham sandwiches and imagination. In this book they set out on an exciting expedition in the back garden where they encounter Chimpan-trees, a Hippo-potta-compost and even a Croco-logus. They’re prepared for action, but will Lollipop and Grandpa make it back home safely?~~~
I was given this book a little while ago and I completely fell in love with it. The story is charming, imaginative and heart-warming. It's great for kids who want to have some adventures in their garden or in the park - instead of a boring patch of grass, they can discover a world full of danger and scary creatures like the Chimpan-trees or the Croco-logus. Any corner of the garden can transform into a scary creature and there really isn't a peaceful place to eat ham sandwiches!
The illustrations by Edinburgh-based illustrator Cate James are simply fantastic. They're very stylish and evocative and play on textures as well as colour. The font is really easy to read and Penelope Harper's story is well-paced, funny and an amazing springboard for children's imagination.
This is an adorable book for grandparents to read to their own little explorers and this is the start of an amazing picture book series about Lollipop's adventures with her Grandpa. Thumbs up from me!
Lollipop and Grandpa's Back Garden Safari, by Penelope Harper and illustrated by Cate James | 2012 | Phoenix Books | Age 3 to 5 | Gift
Kitty's Big Trouble by Carrie Vaughn (audio)
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I finished listening to this yesterday. I actually had only a little bit left to go and just hadn't turned it on to listen to in a while. And that was my biggest problem with the book, which was totally my problem and nothing to do with the book itself: I spread out the listening over too long a period of time. So I know that I enjoyed the book but I don't remember a lot of what happened at the beginning and I didn't really get into the rhythm of the story. It's probably one I'll need to read/listen to again to make sure I caught everything. Hence my very vague post here about it!
23 Şubat 2013 Cumartesi
It's out!!!
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As of today, we can finally get our hands on HBO's Game of Thrones, Season 2 DVD and Blu-ray boxsets! For more info about this boxset: Canada, USA, Europe.
Here's a list of the extras:
Blu-ray with HBO Select – includes all DVD features plus:
- War of the Five Kings – Track the claims, strategies and key players involved in the battle for the Iron Throne with this interactive guide that follows the movements of various armies detailing their victories and defeats.
- Histories & Lore – 19 animated histories detailing the mythology of Westeros and Essos as told from the varying perspectives of the characters themselves and featuring, in-part, illustrations from Game of Thrones storyboard artist Will Simpson.
- In-Episode Guide – In-feature resource that provides background information about on-screen characters, locations and relevant histories.
- Hidden Dragon Eggs – Find the hidden dragon eggs to uncover even more never-before-seen content.
DVD:
- Creating the Battle of Blackwater Bay – See how the epic Battle of Blackwater Bay was brought to life in this exclusive, in-depth, behind-the-scenes look at the climatic episode. The 30 minute feature showcases never-before-seen interviews with cast and crew.
- Game of Thrones: Inner Circle – Actors Emilia Clarke, Kit Harington, Lena Headey, Michelle Fairley and Liam Cunningham talk in detail about their experiences shooting season two in this roundtable discussion moderated by executive producers David Benioff and D.B. Weiss.
- The Religions of Westeros – Hear author George R.R. Martin, David Benioff and D.B. Weiss discuss the competing religions in the series and how they influence the various characters in Westeros and beyond.
- Character Profiles – Profiles of seven major characters as described by the actors portraying them including Renly Baratheon, Stannis Baratheon, Robb Stark, Theon Greyjoy and more.
- Audio Commentaries – 12 commentaries with cast and crew including David Benioff, D.B. Weiss, George R.R. Martin, Emilia Clarke, Peter Dinklage, Kit Harington and more.
As of today, we can finally get our hands on HBO's Game of Thrones, Season 2 DVD and Blu-ray boxsets! For more info about this boxset: Canada, USA, Europe.
Here's a list of the extras:
Blu-ray with HBO Select – includes all DVD features plus:
- War of the Five Kings – Track the claims, strategies and key players involved in the battle for the Iron Throne with this interactive guide that follows the movements of various armies detailing their victories and defeats.
- Histories & Lore – 19 animated histories detailing the mythology of Westeros and Essos as told from the varying perspectives of the characters themselves and featuring, in-part, illustrations from Game of Thrones storyboard artist Will Simpson.
- In-Episode Guide – In-feature resource that provides background information about on-screen characters, locations and relevant histories.
- Hidden Dragon Eggs – Find the hidden dragon eggs to uncover even more never-before-seen content.
DVD:
- Creating the Battle of Blackwater Bay – See how the epic Battle of Blackwater Bay was brought to life in this exclusive, in-depth, behind-the-scenes look at the climatic episode. The 30 minute feature showcases never-before-seen interviews with cast and crew.
- Game of Thrones: Inner Circle – Actors Emilia Clarke, Kit Harington, Lena Headey, Michelle Fairley and Liam Cunningham talk in detail about their experiences shooting season two in this roundtable discussion moderated by executive producers David Benioff and D.B. Weiss.
- The Religions of Westeros – Hear author George R.R. Martin, David Benioff and D.B. Weiss discuss the competing religions in the series and how they influence the various characters in Westeros and beyond.
- Character Profiles – Profiles of seven major characters as described by the actors portraying them including Renly Baratheon, Stannis Baratheon, Robb Stark, Theon Greyjoy and more.
- Audio Commentaries – 12 commentaries with cast and crew including David Benioff, D.B. Weiss, George R.R. Martin, Emilia Clarke, Peter Dinklage, Kit Harington and more.
Wolfhound Century
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I was immediately intrigued by the premise of this book when the ARC showed up in my mailbox. And the blurbs from Peter F. Hamilton and Richard Morgan insured that my curiosity was well and truly piqued. Peter Higgins' Wolfhound Century appeared to be unlike everything else on the market out there.
After the major disappointment that was A Memory of Light, I needed something different, something that could help me get back on track. And for some reason, Higgings' novel seemed to be just what the doctor ordered.
Here's the blurb:
Inspector Vissarion Lom has been summoned to the capital in order to catch a terrorist --- and ordered to report directly to the head of the secret police. A totalitarian state, worn down by an endless war, must be seen to crush home-grown terrorism with an iron fist. But Lom discovers Mirgorod to be more corrupted than he imagined: a murky world of secret police and revolutionaries, cabaret clubs and doomed artists. Lom has been chosen because he is an outsider, not involved in the struggle for power within the party. And because of the sliver of angel stone implanted in his head.
The worldbuilding is fascinating and probably my favorite aspect of this work. The pseudo-Soviet communist environment makes for an atypical setting for this SFF tale. The depiction of this totalitarian state was particularly well-done and gives Wolfhound Century its own unique flavor. The narrative is dark and brooding, which creates an irresistible atmosphere. Oddly enough, throughout the book I kept hearing the song "Belly of the Beast" by Anthrax as I was reading on.
Wolfhound Century is impossible to label. It's some sort of hybrid that combines contrasting fantasy and science fiction elements. The mysticism of the Forest and its creatures are definitely fantasy, while Angels falling from the sky after roaming the stars are essentially science fiction. Sadly, the author doesn't elaborate much on those topics. Which means that a vast aura of mystery permeates the entire novel. Interestingly enough, although this could be perceived as a negative point, it just makes you dig into the tale even more.
The cast of characters is comprised of a decidedly disparate bunch of men and women. To be honest, I found that a bit off-putting at the beginning. And yet, as the story progresses, you realize that you need all those discordant POVs in order to fully understand what is taking place and to appreciate the depth of Peter Higgins' creation. Hence, it's not always about shining some light on the protagonists' thoughts and motivations, but it is also about giving readers a chance to learn more about the world at large and the way society works. Understandably, from the start one realizes that it's Inspector Vissarion Lom and Joseph Kantor's tale, as almost everything hinges on them both. But Wolfhound Century wouldn't be a page-turner without its supporting cast. Indeed, it's those secondary characters whose POVs unveil just how many layers there are to this story. Hence, Maroussia Shaumian, Raku Vishnik, Lakoba Petrov, and Major Safran are, in their own ways, as important to the overall story arc.
Wolfhound Century grabs hold of you from the get-go and refuses to let you go. The rhythm is not fast-paced by any stretch of the imagination, but the tale captures your imagination in such a way that makes this book very hard to put down. The relatively short chapters force you to keep going, making you reach the end all too soon.
And therein lies the problem. There is no ending per se. Sure, you reach an ending. But there is absolutely no closure, no resolution to any of the plotlines. Taken aback, at first I believed that my Advance Reading Copy was missing a few chapters. I contacted the folks at Orbit to inquire whether or not that was the case, but I was told that my ARC was indeed complete. And although Higgins signed a book deal for a trilogy, there is no concrete information regarding the title and tentative release date of a sequel at the moment. . .
Which, in the end, left me quite perplexed. Peter Higgins' Wolfhound Century was well on its way to becoming the speculative fiction debut of the year. In this house, in any event. But to bring what was up until that point a brilliant story to such an arbitrary ending, with no resolution whatsoever, makes no sense. This was shaping up to be one of the very best SFF titles of 2013. But the manner with which Wolfhound Century was brought to a close, I'm not sure what to make of it. To give you a sense of perspective, it is as though Star Wars would have ended when the Millennium Falcon reached Yavin IV. . .
Still, Wolfhound Century remains a very good read. For the setting alone, it's well worth a read. But the total absence of closure will definitely put off certain readers.
To learn more about the author and the book, you can visit Higgins' official website.
The final verdict: 7.5/10
For more info about this title: Canada, USA, Europe
I was immediately intrigued by the premise of this book when the ARC showed up in my mailbox. And the blurbs from Peter F. Hamilton and Richard Morgan insured that my curiosity was well and truly piqued. Peter Higgins' Wolfhound Century appeared to be unlike everything else on the market out there.
After the major disappointment that was A Memory of Light, I needed something different, something that could help me get back on track. And for some reason, Higgings' novel seemed to be just what the doctor ordered.
Here's the blurb:
Inspector Vissarion Lom has been summoned to the capital in order to catch a terrorist --- and ordered to report directly to the head of the secret police. A totalitarian state, worn down by an endless war, must be seen to crush home-grown terrorism with an iron fist. But Lom discovers Mirgorod to be more corrupted than he imagined: a murky world of secret police and revolutionaries, cabaret clubs and doomed artists. Lom has been chosen because he is an outsider, not involved in the struggle for power within the party. And because of the sliver of angel stone implanted in his head.
The worldbuilding is fascinating and probably my favorite aspect of this work. The pseudo-Soviet communist environment makes for an atypical setting for this SFF tale. The depiction of this totalitarian state was particularly well-done and gives Wolfhound Century its own unique flavor. The narrative is dark and brooding, which creates an irresistible atmosphere. Oddly enough, throughout the book I kept hearing the song "Belly of the Beast" by Anthrax as I was reading on.
You walk this earth without a heart
You tear the innocent's souls apart
You shovel your conscience into the grave
You walk this earth without a heart
Your uniform couldn't be take off
A tattoo burned into your flesh
Your mind, your voice
These are your instruments of death
How could you dare to be so bold
You only did as you were told
Marionettes dancing in time
To the apologetic lines
For all the monsters of our time
Wolfhound Century is impossible to label. It's some sort of hybrid that combines contrasting fantasy and science fiction elements. The mysticism of the Forest and its creatures are definitely fantasy, while Angels falling from the sky after roaming the stars are essentially science fiction. Sadly, the author doesn't elaborate much on those topics. Which means that a vast aura of mystery permeates the entire novel. Interestingly enough, although this could be perceived as a negative point, it just makes you dig into the tale even more.
The cast of characters is comprised of a decidedly disparate bunch of men and women. To be honest, I found that a bit off-putting at the beginning. And yet, as the story progresses, you realize that you need all those discordant POVs in order to fully understand what is taking place and to appreciate the depth of Peter Higgins' creation. Hence, it's not always about shining some light on the protagonists' thoughts and motivations, but it is also about giving readers a chance to learn more about the world at large and the way society works. Understandably, from the start one realizes that it's Inspector Vissarion Lom and Joseph Kantor's tale, as almost everything hinges on them both. But Wolfhound Century wouldn't be a page-turner without its supporting cast. Indeed, it's those secondary characters whose POVs unveil just how many layers there are to this story. Hence, Maroussia Shaumian, Raku Vishnik, Lakoba Petrov, and Major Safran are, in their own ways, as important to the overall story arc.
Insanity, the normal state
The left hand a hammer, the right, the stake
Driven so deep into the heart
It's killing love, it's killing faith
It's killing 'cause it's from the heart
What better way to demoralize
When your own children are your spies
The things you trust are not the same
Trust in death, trust in grief
Trust in hope is trust in pain
Wolfhound Century grabs hold of you from the get-go and refuses to let you go. The rhythm is not fast-paced by any stretch of the imagination, but the tale captures your imagination in such a way that makes this book very hard to put down. The relatively short chapters force you to keep going, making you reach the end all too soon.
And therein lies the problem. There is no ending per se. Sure, you reach an ending. But there is absolutely no closure, no resolution to any of the plotlines. Taken aback, at first I believed that my Advance Reading Copy was missing a few chapters. I contacted the folks at Orbit to inquire whether or not that was the case, but I was told that my ARC was indeed complete. And although Higgins signed a book deal for a trilogy, there is no concrete information regarding the title and tentative release date of a sequel at the moment. . .
Which, in the end, left me quite perplexed. Peter Higgins' Wolfhound Century was well on its way to becoming the speculative fiction debut of the year. In this house, in any event. But to bring what was up until that point a brilliant story to such an arbitrary ending, with no resolution whatsoever, makes no sense. This was shaping up to be one of the very best SFF titles of 2013. But the manner with which Wolfhound Century was brought to a close, I'm not sure what to make of it. To give you a sense of perspective, it is as though Star Wars would have ended when the Millennium Falcon reached Yavin IV. . .
Still, Wolfhound Century remains a very good read. For the setting alone, it's well worth a read. But the total absence of closure will definitely put off certain readers.
To learn more about the author and the book, you can visit Higgins' official website.
The final verdict: 7.5/10
For more info about this title: Canada, USA, Europe
2012 Nebula Awards Nominees
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Here are the 2012 nominees for the Nebula Awards:
Novel
Throne of the Crescent Moon, Saladin Ahmed (DAW; Gollancz ’13)
Ironskin, Tina Connolly (Tor)
The Killing Moon, N.K. Jemisin (Orbit US; Orbit UK)
The Drowning Girl, CaitlÃn R. Kiernan (Roc)
Glamour in Glass, Mary Robinette Kowal (Tor)
2312, Kim Stanley Robinson (Orbit US; Orbit UK)
Novella
On a Red Station, Drifting, Aliette de Bodard (Immersion Press)
After the Fall, Before the Fall, During the Fall, Nancy Kress (Tachyon)
“The Stars Do Not Lie,” Jay Lake (Asimov’s 10-11/12)
“All the Flavors,” Ken Liu (GigaNotoSaurus 2/1/12)
“Katabasis,” Robert Reed (F&SF 11-12/12)
“Barry’s Tale,” Lawrence M. Schoen (Buffalito Buffet)
Novelette
“The Pyre of New Day,” Catherine Asaro (The Mammoth Books of SF Wars)
“Close Encounters,” Andy Duncan (The Pottawatomie Giant & Other Stories)
“The Waves,” Ken Liu (Asimov’s 12/12)
“The Finite Canvas,” Brit Mandelo (Tor.com 12/5/12)
“Swift, Brutal Retaliation,” Meghan McCarron (Tor.com 1/4/12)
“Portrait of Lisane da Patagnia,” Rachel Swirsky (Tor.com 8/22/12)
“Fade to White,” Catherynne M. Valente (Clarkesworld 8/12)
Short Story
“Robot,” Helena Bell (Clarkesworld 9/12)
“Immersion,” Aliette de Bodard (Clarkesworld 6/12)
“Fragmentation, or Ten Thousand Goodbyes,” Tom Crosshill (Clarkesworld 4/12)
“Nanny’s Day,” Leah Cypess (Asimov’s 3/12)
“Give Her Honey When You Hear Her Scream,” Maria Dahvana Headley (Lightspeed 7/12)
“The Bookmaking Habits of Select Species,” Ken Liu (Lightspeed 8/12)
“Five Ways to Fall in Love on Planet Porcelain,” Cat Rambo (Near + Far)
Ray Bradbury Award for Outstanding Dramatic Presentation
The Avengers, Joss Whedon (director) and Joss Whedon and Zak Penn (writers), (Marvel/Disney)
Beasts of the Southern Wild, Benh Zeitlin (director), Benh Zeitlin and Lucy Abilar (writers), (Journeyman/Cinereach/Court 13/Fox Searchlight)
The Cabin in the Woods, Drew Goddard (director), Joss Whedon and Drew Goddard (writers) (Mutant Enemy/Lionsgate)
The Hunger Games, Gary Ross (director), Gary Ross, Suzanne Collins, and Billy Ray writers), (Lionsgate)
John Carter, Andrew Stanton (director), Michael Chabon, Mark Andrews, and Andrew Stanton (writers), (Disney)
Looper, Rian Johnson (director), Rian Johnson (writer), (FilmDistrict/TriStar)
Andre Norton Award for Young Adult Science Fiction and Fantasy
Iron Hearted Violet, Kelly Barnhill (Little, Brown)
Black Heart, Holly Black (S&S/McElderry; Gollancz)
Above, Leah Bobet (Levine)
The Diviners, Libba Bray (Little, Brown; Atom)
Vessel, Sarah Beth Durst (S&S/McElderry)
Seraphina, Rachel Hartman (Random House; Doubleday UK)
Enchanted, Alethea Kontis (Harcourt)
Every Day, David Levithan (Alice A. Knopf Books for Young Readers)
Summer of the Mariposas, Guadalupe Garcia McCall (Tu Books)
Railsea, China Miéville (Del Rey; Macmillan)
Fair Coin, E.C. Myers (Pyr)
Above World, Jenn Reese (Candlewick)
Here are the 2012 nominees for the Nebula Awards:
Novel
Throne of the Crescent Moon, Saladin Ahmed (DAW; Gollancz ’13)
Ironskin, Tina Connolly (Tor)
The Killing Moon, N.K. Jemisin (Orbit US; Orbit UK)
The Drowning Girl, CaitlÃn R. Kiernan (Roc)
Glamour in Glass, Mary Robinette Kowal (Tor)
2312, Kim Stanley Robinson (Orbit US; Orbit UK)
Novella
On a Red Station, Drifting, Aliette de Bodard (Immersion Press)
After the Fall, Before the Fall, During the Fall, Nancy Kress (Tachyon)
“The Stars Do Not Lie,” Jay Lake (Asimov’s 10-11/12)
“All the Flavors,” Ken Liu (GigaNotoSaurus 2/1/12)
“Katabasis,” Robert Reed (F&SF 11-12/12)
“Barry’s Tale,” Lawrence M. Schoen (Buffalito Buffet)
Novelette
“The Pyre of New Day,” Catherine Asaro (The Mammoth Books of SF Wars)
“Close Encounters,” Andy Duncan (The Pottawatomie Giant & Other Stories)
“The Waves,” Ken Liu (Asimov’s 12/12)
“The Finite Canvas,” Brit Mandelo (Tor.com 12/5/12)
“Swift, Brutal Retaliation,” Meghan McCarron (Tor.com 1/4/12)
“Portrait of Lisane da Patagnia,” Rachel Swirsky (Tor.com 8/22/12)
“Fade to White,” Catherynne M. Valente (Clarkesworld 8/12)
Short Story
“Robot,” Helena Bell (Clarkesworld 9/12)
“Immersion,” Aliette de Bodard (Clarkesworld 6/12)
“Fragmentation, or Ten Thousand Goodbyes,” Tom Crosshill (Clarkesworld 4/12)
“Nanny’s Day,” Leah Cypess (Asimov’s 3/12)
“Give Her Honey When You Hear Her Scream,” Maria Dahvana Headley (Lightspeed 7/12)
“The Bookmaking Habits of Select Species,” Ken Liu (Lightspeed 8/12)
“Five Ways to Fall in Love on Planet Porcelain,” Cat Rambo (Near + Far)
Ray Bradbury Award for Outstanding Dramatic Presentation
The Avengers, Joss Whedon (director) and Joss Whedon and Zak Penn (writers), (Marvel/Disney)
Beasts of the Southern Wild, Benh Zeitlin (director), Benh Zeitlin and Lucy Abilar (writers), (Journeyman/Cinereach/Court 13/Fox Searchlight)
The Cabin in the Woods, Drew Goddard (director), Joss Whedon and Drew Goddard (writers) (Mutant Enemy/Lionsgate)
The Hunger Games, Gary Ross (director), Gary Ross, Suzanne Collins, and Billy Ray writers), (Lionsgate)
John Carter, Andrew Stanton (director), Michael Chabon, Mark Andrews, and Andrew Stanton (writers), (Disney)
Looper, Rian Johnson (director), Rian Johnson (writer), (FilmDistrict/TriStar)
Andre Norton Award for Young Adult Science Fiction and Fantasy
Iron Hearted Violet, Kelly Barnhill (Little, Brown)
Black Heart, Holly Black (S&S/McElderry; Gollancz)
Above, Leah Bobet (Levine)
The Diviners, Libba Bray (Little, Brown; Atom)
Vessel, Sarah Beth Durst (S&S/McElderry)
Seraphina, Rachel Hartman (Random House; Doubleday UK)
Enchanted, Alethea Kontis (Harcourt)
Every Day, David Levithan (Alice A. Knopf Books for Young Readers)
Summer of the Mariposas, Guadalupe Garcia McCall (Tu Books)
Railsea, China Miéville (Del Rey; Macmillan)
Fair Coin, E.C. Myers (Pyr)
Above World, Jenn Reese (Candlewick)
This week's New York Times Bestsellers (February 18th)
To contact us Click HERE
In hardcover:
Robert Jordan and Brandon Sanderson's A Memory of Light maintains its position at number 3. For more info about this title: Canada, USA, Europe.
Kim Harrison’s Ever After is down five spots, finishing the week at number 16.
George R. R. Martin's A Dance With Dragons is up two spots, finishing the week at number 17. For more info about this title: Canada, USA, Europe.
In paperback:
Max Brooks' World War Z: An Oral History of the Zombie War is up two spots, finishing the week at number 9 (trade paperback).
George R. R. Martin's A Game of Thrones is up four positions, ending the week at number 17.
Patricia Briggs' Fair Game debuts at number 21.
Erin Morgenstern's The Night Circus is down five positions, ending the week at number 24 (trade paperback).
Anne Rice's The Wolf Gift debuts at number 26 (trade paperback).
George R. R. Martin's A Storm of Swords is up two positions, ending the week at number 27.
David Mitchell's Cloud Atlas is down six positions, ending the week at number 29 (trade paperback).
George R. R. Martin's A Feast for Crows is up one position, ending the week at number 29.
In hardcover:Robert Jordan and Brandon Sanderson's A Memory of Light maintains its position at number 3. For more info about this title: Canada, USA, Europe.
Kim Harrison’s Ever After is down five spots, finishing the week at number 16.
George R. R. Martin's A Dance With Dragons is up two spots, finishing the week at number 17. For more info about this title: Canada, USA, Europe.
In paperback:
Max Brooks' World War Z: An Oral History of the Zombie War is up two spots, finishing the week at number 9 (trade paperback).
George R. R. Martin's A Game of Thrones is up four positions, ending the week at number 17.
Patricia Briggs' Fair Game debuts at number 21.
Erin Morgenstern's The Night Circus is down five positions, ending the week at number 24 (trade paperback).
Anne Rice's The Wolf Gift debuts at number 26 (trade paperback).
George R. R. Martin's A Storm of Swords is up two positions, ending the week at number 27.
David Mitchell's Cloud Atlas is down six positions, ending the week at number 29 (trade paperback).
George R. R. Martin's A Feast for Crows is up one position, ending the week at number 29.
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